2010s alt lit carries the same ethos as 2010s post-internet art; it remained personal, highly tied to the author and their brand. The new outsider net lit is follows the same new net art; its collective, distributed, self-organized; de-authored, remixed. Our CHINA! 2024 chapbook documented an example in exploring this with chineseposting; following previous explorations in jadeposting, and the general schizoposting happening every day on the timeline. One day a english language critic will be brave enough to write about this—isn’t it crazy, half decade of being the defining American art for the generation, undeniable impact event on culture, not a single language article or interview from any western art outlet daring engage remilia?—in other news chinese accelerationists have made us subject of study in new media theory journals in China— 網絡圖像及其重影:網絡圖像藝術新論. 藝術新論 藝術學研究進展  2025年第2卷第2期 頁碼[243-252]  (DOI: 10.48014/aas.20250402001)—I don’t know how to read